Tanya, poolside. TMX 100 and a heavy softening filter — I’d just discovered what filters could do, and I went for it.
This was the phase where I thought every shot needed a “look.”
I’d just picked up a softening mist filter and figured it made things feel more editorial. I didn’t understand restraint yet — just that I liked the haze.
Pretty sure it was TMX 100 again. Same old flash, same guesswork.
Tanya showed up and let me try things. Most of the time I wasn’t sure what I was after — but we figured it out as we went.
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